facebook pixel

Famous Artwork George Bellows on Canvas Painting Wall Art Posters Florence Sittenham Davey (Mrs. Randall Davey), 1914

$79.99

Note:

  1. The painting is not hand-painted, it is printed by machine.
  2. In order to reduce shipping costs and avoid damaging the frame during transportation, there is no cushion, no inner frame, no outer frame, only canvas.
  3. Due to the different lighting effects between computer monitors and mobile phones, the item’s color is slightly different from the pictures in our store.

      4. Stretched Canvas Print,

           Techniques: Spray painting,
           Materials: Cotton, Waterproof Ink.
  1. The expected arrival date will be affected by customs, weather and other factors, and sometimes it may take longer to receive, please contact us without receiving the package to extend the order protection time.
  2. Please specify in a note or through our email product dimension
Dimension 1 20x30cm No Frame
Dimension 2 30x40cm No Frame
Dimension 3 40x60cm No Frame
Dimension 4 50x70cm No Frame
Category:

Description

Artwork: Florence Sittenham Davey (Mrs. Randall Davey), 1914

Artist: George Bellows

About the Artist: 

George Wesley Bellows (August 12 or August 19,1882 – January 8, 1925) was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, “the most acclaimed American artist of his generation”.

About the artwork: 

Painted on Monhegan Island in Maine in August 1914, this portrait represents Florence Sittenham Davey, the wife of Bellows’s friend, the artist Randall Davey. Florence Davey was a modernist sculptor who had studied with Alexander Archipenko. According to the Daveys’ son William, Bellows lost a considerable amount of money to his father playing pool and painted the portrait to settle his debt.

This work, along with the many other portraits that Bellows produced on Monhegan Island in 1914, is noteworthy for achieving a new expressive power and intensity through the use of assertive frontal poses, geometric compositions, brilliant color, and intense light. Bellows had been prompted to reevaluate his approach to color in part after seeing works by Henri Matisse and the European avant-garde at the Armory Show the previous year. At the time Bellows was already beginning to experiment with the chromatic possibilities of the set-palettes diagrammed by Harvard University professor Denman Waldo Ross in his influential 1912 publication On Drawing and Painting.

Many people read our art newsletter ; you should too!